Here, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive. The goal is to obtain a set of themes that might be set against similar themes characteristic of death metal. This is the task in the second half of the paper. In particular, I argue that (some) modernist art and death metal share themes centered on transgressively breaking with the (...) past, pursue their conception of the truth, eliminate elements in their art form to purity them, and attack the art/non-art or music/non-music distinction. I contend that centering on death metal vocals reflects these themes. Death metal growls, like some modernist art, transgresses on past vocal traditions, tells us important truths, eliminates traditional concepts/techniques of signing, and undermines the singing/noise distinction. (shrink)

This paper defends a quasi-doxastic model of propositional faith whereby faith that p entails a disposition to believe that p. I argue for this model set against its main competitors: doxasticism and non-doxasticism. I survey several key arguments in the debate and argue that the quasi-doxastic approach can better affirm and explain a range of considerations provided by such arguments. Then I turn to a set of theoretical explananda that, again, I argue quasi-doxastic faith is uniquely placed to explain. I (...) end with an indirect consideration: that a quasi-doxastic approach to faith reorients or redirects religious epistemology away from proposition-centric rationality to agent-centric accounts of rationality. (shrink)

In this paper, I respond to an objection raised by Duncan Pritchard and Jesper Kallestrup against virtue epistemology. In particular, they argue that the virtue epistemologist must either deny that S knows that p only if S believes that p because of S’s virtuous operation or deny that intuitive cases of testimonial knowledge. Their dilemma has roots in the apparent ease by which we obtain testimonial knowledge and, thus, how the virtue epistemologist can explain such knowledge in a way that (...) both preserves testimonial knowledge and grounds it in one’s virtues. I argue that the virtue epistemologist has a way to accomplish both tasks if we take epistemic trust to be an intellectual virtue. I briefly discuss what such trust must look like and then apply it to the dilemma at hand: showing that a key intellectual virtue plausibly operates in cases of testimonial knowledge and/or belief. (shrink)